4 minutes later:

The violinist received his first dollar: a woman threw the money in the hat and, without stopping, continued to walk.

6 minutes:

A young man leaned against the wall to listen to him, then looked at his watch and started to walk again.

10 minutes:

A 3-year old boy stopped but his mother tugged him along hurriedly. The kid stopped to look at the violinist again, but the mother pushed hard and the child continued to walk, turning his head all the time. This action was repeated by several other children. Every parent, without exception, forced their children to move on quickly.

45 minutes:

The musician played continuously. Only 6 people stopped and listened for a short while. About 20 gave money but continued to walk at their normal pace. The man collected a total of $32.

1 hour:

He finished playing and silence took over. No one noticed. No one applauded, nor was there any recognition.

About Joshua BellJoshua Bell made his Carnegie Hall debut in 1985 with the Saint Louis Symphony Orchestra. He has since performed with almost all of the world’s major orchestras and conductors. As well as the standard concerto repertoire, Bell has performed new works — Nicholas Maw’s violin concerto is dedicated to him, the recording of which won Bell a Grammy and gave the world premiere of the work in 1993. He performed the solo part on John Corigliano’s Oscar-winning soundtrack for the film The Red Violin and was also featured in Ladies in Lavender. Bell also made an appearance in the movie Music of the Heart, a story about the power of music, with other notable violinists.

No one knew this, but the violinist was Joshua Bell, one of the greatest musicians in the world. He played one of the most intricate pieces ever written (“Chaconne” from Johann Sebastian Bach’s Partita No. 2 in D Minor), with a violin worth $3.5 million dollars (a Gibson ex Huberman Strad handcrafted in 1731 by Antonio Stradivari). Two days before Joshua Bell sold out a theater in Boston where the seats averaged $100.

This is a true story. Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of a social experiment about perception, taste and people’s priorities.

The questions raised:

In a common place environment at an inappropriate hour, do we perceive beauty?
Do we stop to appreciate it?
Do we recognize talent in an unexpected context?

One possible conclusion reached from this experiment could be this:
If we do not have a moment to stop and listen to one of the best musicians in the world, playing some of the finest music ever written, with one of the most beautiful instruments ever made.

How many other things are we missing?